charlie ash
printmaking
drawing
about
projects
Apple Skeletoniser, 2021

Woodcut hand printed on kozuke ivory paper
120x70cm. Ed. of 10.
Willow Gall, 2020

Woodcut hand printed on kozuke ivory paper
50x250cm. Ed. of 10.
Fuik, 2023

Woodcut hand printed on kozuke ivory paper
100x100cm. Ed. of 3
Fiddlesticks, 2023

Series of four monotype prints made with green wood shavings.
Each 60x90cm.
Cherry Training System, 2023

Woodcut hand printed on kozuke ivory paper
120x75cm. Ed. of 10
Sentient Mud, 2024

Series of twelve woodcuts, hand printed on kozuke ivory paper
Each 55x40cm. Ed. of 20
Kerf, 2022

Takuhon print
70x25cm
Larval QR Code, 2022

Relief print from Ash wood
20x20cm. Ed. of 20
Twisted Beech, 2019

Two takuhon prints, made for the 'Wayside Type' Project
Installed dimensions - 150x100cm
Nansidwell, 2019

Two takuhon prints, made for the 'Wayside Type' Project
Installed dimensions - 150x100cm
Granite Steps, 2018

Series of eight open bite etchings with beeswax
Each 15x20cm

The Crossing, 2024

Collaboration with Bristol based post-grunge band Hypothetics, for their debut album 'The Crossing'.

Series of ten woodcuts (each 12x12cm), printed in various forms for use in single releases, album sleeves and merchandise.